By Jonathan L. Owen

The cultural liberalization of communist Czechoslovakia within the Nineteen Sixties produced many inventive accomplishments, no longer least the prestigious movies of the Czech New Wave. This flow observed filmmakers use their new freedom to interact with traditions of the avant-garde, specially Surrealism. This publication explores the avant-garde's effect over the recent Wave and considers the political implications of that effect. The shut research of chosen movies, starting from the Oscar-winning Closely saw Trains to the aesthetically hard Daisies, is contextualized by way of an account of the Czech avant-garde and a dialogue of the movies' quick cultural and political background.

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Avant-garde to New Wave: Czechoslovak Cinema, Surrealism and the Sixties by Jonathan L. Owen

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