By Michael Betancourt

Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, movement, and house offers a longer dialogue of the morphology and constitution of compositing, image juxtapositions, and montage hired in movies. Drawing from the background of avant-garde and advertisement cinema, in addition to studio-based examine, right here media artist and theorist Michael Betancourt opinions cinematic realism and spatial montage in movies. This new taxonomic framework for conceptualizing linkages among media paintings and narrative cinema opens new components of experimentation for today’s movie editors, movement designers, and different media artists.

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Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion, and Space by Michael Betancourt


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